Tagged with "esoteric"
From Selfies to Self-realization: Resolving the Leo/Aquarius Polarity
Category: Astrology
Tags: Astrology Consciousness Empowerment Esoterica

by Kit Walker

I’m going to go out on a limb here, now that we are in the Leo season, with a suggestion that the Leo/Aquarius polarity has a lot to do with the process of attention. This is not “official” astrology, (whatever that is), it is only my speculation. But if we trace attention back to its source, we can see that the source of attention is the heart, which is ruled by Leo. The opposite sign to Leo is Aquarius, which is ruled by Uranus.

The symbol for Uranus is this:


Notice that it looks kind of like an antenna, like for example, a TV antenna. I am going to suggest that Uranus is our antenna, since it rules intuition, among other things. Let’s look deeper into this symbol. If we superimpose it on the human body we could say that the circle at the bottom lies in the heart, and then the central line rises up through the throat and up to the crown of the head.


The two lines on each side could fall on either side of the head, helping to give the sense of duality, and perspective. Let’s consider the part of the head on each side, between the eyes and the ears, commonly known as the “temples”. This is an interesting choice of words for this part of the human body.

Some are saying that we humans have all been fitted with invisible etheric implants, before birth, with the purpose of blocking our full perception and memory of who we are, in order to maintain control over us. It is pretty obvious that most humans are not firing on all cylinders, so to speak.

They say that one of the places these etheric, invisible implants are placed is in this precise region of the head, on each side, between the eyes and ears. And now as we are becoming free of these implants, the senses of this region are becoming active again. Perhaps they are called the “temples” because when active, they bring the ability to perceive or intuit the sacredness of all life.

We could think of it like a combination of the eyes and ears, perhaps giving the ability to see sound and frequency, and hear colors and shapes. Since scientists have now been discovering that everything is actually frequency based (see cymatics), then it would make sense that these extra-dimensional senses would be waking up in us now.

And these etheric implants in that region of the head would have a very similar function as the blinders put on horses when they have been used in cities, so that they can just see straight ahead, with no peripheral vision. We have all been fitted with blinders, to be good workhorses. We have been “outfitted” with ears and eyes, both dualistic senses, which give the sense of distance and space, like stereo. Perfect for functioning in 3D. But our multi-dimensional senses have been lying dormant, having been disconnected, on purpose, at the “factory”, so to speak.

Uranus rules lightning, and kundalini, which is a kind of lightning in the body. Sudden, and unexpected. When the heart kundalini, or (Hridaya Shakti) awakens, the head is illuminated with transcendental fire, which naturally clears all implants and blockages. When the head (Uranus) and heart (Sun) connect in this way, the whole sense of “I am” changes radically, that is, at its root (radix, in Latin). This is not the kundalini of the spine, in the chakra system, however. As far as i can tell, it is a completely different circuit, as the chakra system is related to the cycle of down and up, death and rebirth. The Hridaya Kundalini comes directly from Source, and returns directly to Source.

After establishing the hearth of Cancer, we build a fire there. This is Leo. The art of the hearth is the heart. And we keep the fire alive (Leo) in the winter (Aquarius). Since the Northern and Southern Hemispheres have the opposite seasons, we could say this polarity is a winter/summer polarity.

But in the non-dual astrological approach we have to consider the Leo Aquarius polarity as one complete process, which as always, brings out the most positive attributes of the signs involved. Let’s look at that process as it progresses.

Leo and Aquarius are fixed signs, and all the fixed signs share something that is not found in the other signs. That is that the middle of the fixed signs is the 45 degree angle point, in other words, halfway through each 90 degree quadrant. This divides the circle in 8 parts, if we include the squares as well, which divide the circle in four.  zodiac

Each quadrant contains a cardinal, a fixed, and a mutable sign. The middle of the fixed signs is a very important point in the cycle, where energy transforms into something tangible, effective, and useful, and with the potential to be something entirely new, a radical departure, so to speak. It is an alchemical transformation, an actual transmutation of one thing into another, like a caterpillar into a butterfly, or a seed into a sprout.

So as we progress through Leo/Aquarius it goes something like this: Leo is, among other things, the creative artist. So at the beginning of Leo we have something like the artist or musician, let’s say, a jazz saxophonist, who creates art for its own sake, without any regard for the audience (Aquarius). He’s over there just blowing away, not even noticing or caring if there are people there or not, or whether they are bored or not. He just doesn’t care. He just keeps his head down, and plays, not even looking up, totally self involved. But also, this quality of not caring what others think is a necessary ingredient in the mix, as it gives one the courage (Leo) to be oneself.

So our hero plays and plays. And by the time he gets to the middle of Leo, he is taking it out, very intensely involved in his personal process of creativity, without any self critic going. The self critic comes later, in Virgo.

But suddenly, as he reaches the middle of Leo, the energy shoots across to Aquarius, and he realizes there are people (Aquarius) listening. He looks up, and sees the audience. Maybe he sees they are bored. Maybe he sees they are loving it. Or maybe he sees that they all left the building. Suddenly our hero realizes that the audience is part of the equation, and that the process of creativity includes those who participate in it on the receiving end. He realizes that they actually give him energy when they enjoy, and vice versa. It is a mutual exchange. The opposition is bridged. He also realizes that the best among them are not really so interested in his ego’s expression, but rather in his capacity to transmit what is beyond…which helps change the quality of his expression, once he can see himself more objectively (Aquarius). He also finds his originality there in Aquarius, as Uranus has everything to do with originality. Thus, the “bridged” Leo Aquarius polarity really has to do with creative (Leo) freedom and originality (Aquarius).

Meanwhile, on the Aquarius end, in the first half of Aquarius, the group is everything. They are happy to look up at the stage at the performer, the one who has the talent, and they don’t recognize their own uniqueness (Uranus). They are looking for a hero (Leo) to lead them. No one dares stand out from the group as a unique individual (Leo). They do whatever it takes to fit into the crowd, happy to jump on the latest bandwagon. If the crowd is doing things to themselves to look unique, such as tattoos, piercings, wild haircuts, they do it too. They say and do all the things the group approves of.

This attempt to be unique (Uranus) is outwardly based, so everyone adopts the latest “look”, not even noticing that they in fact look like everyone else in the group, no matter how hard they try to be different. The one thing that doesn’t occur to them is the obvious: be yourself. (Leo) You already are unique (Uranus), just as you are. In fact, you can’t help it. But when this polarity is disconnected, we get narcissistic (Leo) groupthink (Aquarius).

Notice that the medium of exchange here is the process of attention. The Leo wants to be the center of attention of the group. But when the Uranian process is not understood, the Leo will be looking for attention to come from the outside. You already have your own attention, and that is the only attention that will release you, as it becomes free attention. As attention becomes free from all the places it is bound, both in the “outer” world, and the “inner” world, it transforms into bliss, which is really the key ingredient everyone is searching for. The desire to be the center of attention simply shows a misunderstanding of how attention works.

The Leo experience has to do with self expression in all of its many forms. And the unevolved Leo expression is really about narcissism.

The Facebook selfie phenomenon illustrates this perfectly. Am I still here? Look at me, everyone ! Do I exist? Take a selfie ! Ah there we go, yes I still exist ! OK, how about now? hmm, not sure. Take another selfie. Yes, I still exist. And everyone still “likes” that i exist ! Ad infinitum.

The cure for narcissism is Self-realization. The heart is the direct connection to the Divine Self. And in particular it is the “tiny space” of the heart, the sino-atrial node, which is the direct doorway to Infinite Existence. When this doorway is open there is no more wondering whether I exist or not. It is self evident. It is self verifying. There is no need for external verification of any kind, because there is no external, or internal, only eternal remains. Even “inside” is the other, objectively witnessable. And the “I” that actually Exists is completely different than the one who was never quite sure.

Attention rises from the heart, and moves through the senses to create the sense of space and time. The problem arises when attention becomes fixated in externals, (or internals), and cannot be released back to Source, the eternal. Then you can be led around by your attention, and influenced and controlled in many ways.

Notice the language: “pay” attention. Make no mistake about it, attention is the real currency. Everything that the matrix does is designed to make you “pay” attention, like a tax. The matrix is designed to capture your attention and hold you hostage through it. Your attention, positive or negative, is food for the false kings.

However, your attention is the key to your bliss, your pure consciousness, but in limited form. It is how you create your world. If you are not master of it, then you are at the mercy of your world.

Think of the difference between a camera and a projector. Now we are like cameras, imagining the light source to be outside us, and the pattern of planetary influence is imprinted on our mind, like the film in the camera. We are at the mercy of whatever event transpires.

But when we realize that we ARE Source, we become like a projector. Ramana Maharshi has spoken about this analogy. The light source is within, and the pattern of the film (our astrological dynamic) is projected onto the screen of the world. You are the source of what arises. And when you exist in wholeness, your astrological pattern becomes coherent and unique, no matter how many supposedly “difficult” aspects you may have. It resonates, much like the sound of a bell, with complex harmonics.

By resolving the pattern on the film, your astrological dynamic, you can change your world, because the light that brings your world into being is the Source Consciousness that we all are. So then we can begin to participate in our own lucid dream, creating it as we go. This is the true creativity, when our whole life becomes our work of art, our masterpiece.

So when we reach the halfway point of Leo, the polarity with Aquarius activates, in a transformational way. Suddenly the creative person integrates his genius (Uranus) as his creativity become useful for others in some way. And at the middle of Aquarius, the individuals (Leo) in the group (Aquarius) begin to realize that they will be a much more effective part of the group when they develop and share their own unique gifts and talents.

Leo is the creative artist. it is about self-expression. But imagine the difference between self-expression and Self expression. What would your art be like if “you” were able to be completely out of the way? What would the art of enlightened beings be like? Well, one thing is for sure, it would be completely spontaneous. (Uranus). Without ego, the “small” self, there is no agenda possible. It is all improvised. Improvisation is another function of Uranus, along with synchronicity, intuition, and free attention.

When you are creating your art, what happens with your attention? It is very interesting to notice as you go through your creative process. To me, the whole point of practicing and mastering your art is so that “you”, the “doer”, will be able to be completely out of the way. The body, the instinct, will know exactly what to do, without any interference from technical limitations. The artist can rest as free attention at Source, and the process can happen on its own. This is the process of artistic mastery that can take a lifetime, and it is very much a yoga, a spiritual practice, to engage such an artistic, creative practice. With the amount of “destructivity” going on these days, it is of vital importance that we keep this fire of creative process going, by persevering in doing whatever it is that brings us to bliss, like we keep the fire on the hearth alive in the winter for warmth.

Leo without Aquarius is like the king or queen who doesn’t care about the people. This is a very common phenomenon these days. The arrogant world “leaders” who presume the right to force themselves on people, with no regard whatsoever given to how those people feel about it. But this cannot last, and will not last. We can see its approaching demise right up ahead. Somehow these cretins realize they need the support of the people, but their blind spot is that they think they can force people at gunpoint to love and support them.

And the people who still look up to these “leaders” are the other side of the coin. Not willing to take responsibility for their own awakened connection to Source, they prefer to project their own royalty out onto these impostors. The unawakened Aquarian impulse keeps these tyrants in power, and it is a pathetic imitation of real power. What kind of satisfaction can you get from forcing others to do your bidding? Obviously not much, as this frustrated insanity proliferates with ever more desperate attempts to control.

Uranus also is Truth. The false kings of Leo need to be faced with the truth. The open eyes of the people (Aquarius), seeing that the emperor has no clothes. People who do not comply, because they recognize the game. People who are masters of their own attention. These are the true royals. People whose awareness circuitry (Uranus) is activated and awake, and who recognize that their own sovereignty (Leo) is inviolable. Let’s be those human beings !

the Chandra Symbol for the 2015 full moon in Leo/Aquarius is this:

the Moon:

A book, the words in it keep changing.
Destiny can keep rearranging itself under special and unusual conditions, where you have written into the contract ahead of time extravagant allowance for major shifts throughout the course of your lifetime. Ready and able to live several lifetimes in one, you are eager to wipe out the traces of a given cycle and start all over again. In love with change and in desperate need of change. Because one side of mind is dogmatically rigid. And so in order to neutralize and outwit your own dry, stuck places, you make sure to generate innovative, radical currents–slowly wearing away the tight self-identity knots and generating freedom where being stuck in old pictures had sealed off the territory and made life predictable and unbearable.

the Sun:

A young woman sits at a piano and improvises beautiful music.
Aristocracy and fine breeding open a space for the inner heart to sing. Being aware that you are given manifest advantages which make it likely that your talents and abilities can flourish. Past life attainment pulls in present lifetime congenial context. But a shadow creeps over this beautiful scene. You take on how others see you and reflect you. Which leads to, in one direction, becoming the performer who plays to the audience, losing your center. And in the other direction, to becoming the one who suppresses and feels guilty about outstanding individual attributes and colludes in going against yourself. Many possible directions. It all depends upon ripening to be simultaneously proud and humble, magnificent and sober. A path of character evolvement with many places to get lost and a very strong will to work through it all, becoming fully who you are in a way that gives life to everybody and takes nothing away from anybody anywhere.

MORE from Kit HERE and HERE.

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Catching the Bug of Synchronicity
Category: Esoterica
Tags: Esoterica Alternative Science Consciousness Empowerment The Awakening The Shift

By Paul Levy

Synchronicities are those moments of “meaningful coincidence” when the boundary dissolves between the inner and the outer. At the synchronistic moment, just like a dream, our internal, subjective state appears, as if materialized in, as and through the outside world. Touching the heart of our being, synchronicities are moments in time in which there is a fissure in the fabric of what we have taken for reality and there is a bleed through from a higher dimension outside of time. Synchronicities are expressions of the dreamlike nature of reality, as they are moments in time when the timeless, dreamlike nature of the universe shines forth its radiance and openly reveals itself to us, offering us an open doorway to lucidity.

Synchronicity was one of Jung’s most profound yet least understood discoveries, in part because it cannot be appreciated until we personally step into and experience the synchronistic realm for ourselves. Jung’s discovery of synchronicity was in a sense the parallel in the realm of psychology to Einstein’s discovery of the law of relativity in physics. Because it is so radically discontinuous with our conventional notions of the nature of reality, the experience of synchronicity is so literally mind-blowing that Jung contemplated this phenomenon for over twenty years before he published his thinking about it. Jung’s synchronistic universe was a new world view which embraced linear causality while simultaneously transcending it. A synchronistic universe balances and complements the mechanistic world of linear causality with a realm that is outside of space, time and causality. In a synchronicity, two heterogeneous world-systems, the causal and acausal, interlock and interpenetrate each other for a moment in time, which is both an expression of while creating in the field an aspect of our wholeness to manifest. The synchronistic universe is beginning-less in that we are participating in its creation right now, which is why Jung calls it “an act of creation in time.”

To illustrate what he meant by the word synchronicity, Jung brings up an experience he shared with a patient of his. This particular patient was very caught in her head, and the analysis was seemingly going nowhere. She was stuck, trapped in the self-created prison of her own mind. Jung realized there was nothing he could do. In Jung’s words, “I had to confine myself to the hope that something unexpected and irrational would turn up, something that would burst the intellectual retort in which she had sealed herself.” She had an impressive dream the night before, in which someone offered her a golden scarab – a valuable piece of jewelry. At the moment she was telling Jung the dream, there was a tapping on the office window. Jung opened up the window and a scarabaeid beetle, whose gold-green color closely resembles that of a golden scarab, flew into the room. Jung caught the beetle in his hand, handed it to her and said “Here is your scarab.”

The shock of recognition in the synchronistic moment, in which Jung’s patient realized her dream of the previous night was being both literally and symbolically enacted in her waking life, pierced through her resistance and cracked her defensive shell wide open. At the moment of synchronistic transmission, a fundamental shift in perception took place within her which inwardly transformed her and made her receptive in a new way. From that point on, Jung commented, “The treatment could now be continued with satisfactory results.”

There was no conventional, linear causal link between the patient’s dream and the beetle tapping on the window the next day. But there was clearly an equivalence and meaningful connection between the two co-related events which was not based on linear causality In addition, the patient, as an active, egoic agent in space and time, didn’t cause or create the synchronicity, which was acausal and happened of its own accord. And yet, in some mysterious way, the beetle tapping on the window was intimately related to her.

To quote Jung, “Synchronicity is no more baffling or mysterious than the discontinuities of physics. It is only the ingrained belief in the sovereign power of causality that creates intellectual difficulties and makes it appear unthinkable that causeless events exist or could ever exist. But if they do, then we must regard them as creative acts, as the continuous creation of a pattern that exists from all eternity, repeats itself sporadically, and is not derivable from any known antecedents.” This quote by Jung has an interesting footnote which adds the following, “Continuous creation is to be thought of not only as a series of successive acts of creation, but also as the eternal presence of the one creative act.”


Synchronicities are cystallizations in linear time of a nonlinear, acausal, atemporal process, windows into the realm outside of time and space, a world in which we ourselves are active participants in and of “the one creative act.” Synchronicities are both timeless and temporal, which is to say they are possessed of a double nature with regard to time. Synchronicities can be deeply religious and mystical experiences, expanding our sense of who we imagine we are and transforming our intimate relationship with ourselves.

Synchronicities are expressions of the dreamlike nature of reality – like with Jung’s patient, our night dreams can manifest in our waking life, but also in the sense that, just like with our dreams at night, our inner process is given shape to through the seemingly outer world. In a night dream, the seemingly outer dreamscape is synchronistically reflecting the internal psyche of the dreamer, as the dream is not separate from the inner world but is nothing other than the psyche within apparently externalized. There is an instantaneous correspondence between the inner and outer worlds not because they are two separate dimensions that are communicating faster than the speed of light, but because they are inseparably united as one seamless, already unified, whole continuum.

Being unmediated manifestations of the dreamlike nature of reality, we can interpret synchronicities just like we would interpret a dream. Mythologically speaking, a scarab is an archetypal symbol which represents, as in ancient Egypt, death/rebirth and transformation. Gold symbolically represents the highest value. Being offered a golden scarab in both her night and waking dreams was a form of synchronistic notarization by the archetype, highlighting its arrival on the scene. The synchronicity was an expression of – as well as the doorway through which – Jung’s patient was personally enacting an archetypal process of the renewal of consciousness. The synchronicity bore the stamp of the excited archetype, revealing to her and making real in time that she was actually taking part in a timeless, mythic drama of death and rebirth. Catapulting her out of the limited frame of reference of the conceptual mind, the synchronistic moment helped her access a deeper part of herself, as well as re-connecting her to the universe at large in which she lived.

Synchronicities are both the vehicle through which and an expression of the fact that we are waking up to the dreamlike nature of the universe. Being genuine wake up calls from the awakened part of ourselves, synchronicities are emanations of the part of ourselves that is waking up projected into time.

What I call the “deeper, dreaming Self,” is the part of us that is the dreamer of both our night and waking dreams. Being “nonlocal,” which is to say not bound by the conventional laws of space and time, as well as being multi-dimensional, the deeper, dreaming Self can simultaneously express itself through inner experiences such as inspirations and dreams as well as by attracting events in the seemingly outer world so as to coagulate itself in embodied form.

The deeper, dreaming Self was simultaneously the dreamer of the golden scarab in the patient’s night dream, the inspiration for her to tell Jung the dream in their session, the source of the beetle which was tapping on the window at exactly the right moment, the impulse which animated Jung to open the window, catch the beetle, offer it to his patient and say what he said, as well as the patient’s inner, revelatory experience of transformation which was the result. Being multi-faceted and multi-channeled, the deeper, dreaming Self nonlocally arranged all these dimensions enfolded within the field into a singular psycho-physical experiential gestalt in which the oneness of spirit and matter became visible.

Interestingly, the synchronicity with Jung and his patient was an experience in which Jung himself played an active, participatory role. As the synchronistic moment was irrupting into time, he found himself dreamed up by his patient to pick up and play out a role in her dreaming process. At the moment of synchronicity, Jung went from passively sitting in the audience hearing about her process to being drafted into the act and stepping into a scene in the play of his patient’s mind. Not merely witnessing his patient’s synchronicity, he found himself spontaneously enacting it with her, playing his part and saying his lines perfectly, as if sent by central casting. In offering her the precious jewel of a golden scarab symbolizing death and rebirth, Jung spontaneously found himself being an open instrument for the synchronistic universe to manifest itself through him into materialized form and express itself in our world.

Jung and his patient were reciprocally collaborating in dreaming up their shared synchronistic event together. They became “quantum entangled,” interdependently and inseparably merged in the co-creation of each other’s synchronicity. The synchronicity was not monopolized by Jung’s patient, as it didn’t solely belong just to her. Participating in his patient’s synchronicity, Jung was at the same time just as much having a living experience in and of his own synchronicity. Even though the synchronicity was a reflection of his patient’s inner landscape, it was simultaneously a synchronistic reflection of a deeper process taking place within Jung, too. For Jung to be hearing a patient’s dream of a golden scarab and to have a golden scarab fly into his office was an externalized, synchronistic reflection of the archetypal process of death and rebirth which was happening inside of him. It is noteworthy that a synchronistic event can collectively reflect and be mutually shared by more than one person in both similar and singularly unique ways.

To experience a synchronistic event is to necessarily be changed at our core. No one could have convinced Jung’s patient that her synchronistic experience should be dismissed as a mere coincidence, as she had an inner knowing of its meaningfulness due to how it transformed her. She no longer lived in a dis-enchanted universe.

Synchronicities by their very nature demand our active participation, as they are not something we can just passively watch and remain unaffected by. Imbued with a deeper fragrance of meaning, a synchronistic event is a revelation which contains within it a potency to insinuate itself into our very being and alter us from within. Synchronicities can transform us on a cellular level, as they are crystallizations into and out of the space of consciousness itself that have form-ulated themselves into our dimension as an expression of the part of us that is already awakened. Synchronicities inherent revelatory nature is ultimately offering us the realization that we are playing an active, participatory and hence, co-creative role in the unfoldment of the universe.

Registering the revelation embedded in the synchronistic moment is to necessarily have an expansion of consciousness, as the lens through which we view, interpret and place meaning on the nature of our experience has broadened by and through the very synchronicity itself. Because it is rich in the nutrient of meaning, a synchronistic event affects and deepens our state of awareness and perception, which is another way of saying that synchronicities are expressions of consciousness itself. Just like symbols in a dream, synchronicities do not exist objectively, separate from our own mind.

Synchronistic moments feel like grace, as they induce in us the feeling that we are right where we are supposed to be. Being numinous, synchronicities have a strong feeling component and emotional charge, which is both an expression of while simultaneously flowing into, influencing and altering the surrounding field of consciousness. A manifestation of the field as a whole, synchronicities are a field phenomenon, and to receive their full blessing we need to relate to them as such. Synchronicities are a reflection of the deeper, underlying nonlocal field of consciousness waking up to itself through us. The gift of synchronicity cannot be realized from the point of view which imagines we exist as a separate person who is “other” than the field in which we are arising. Jung and his patient’s shared synchronistic event was a living experience of being connected to something greater than themselves. Synchronicities are acute outbreaks of the archetypal, collective mind-field crystallized into our personal sphere through the third-dimensional medium of time and space.

Synchronicities are glimpses of transcendental unity, what in Latin is called the “unus mundus,” the one world. The unus mundus is the unitary and unifying realm which underlies, pervades and contains all dimensions of our experience. The unus mundus, just like the deeper, dreaming Self, is a psycho-physical reality, a universe beyond time and outside of space in which psyche and matter are inseparably co-joined as interconnected parts of a deeper, unified field. The unus mundus is a world in which we have already woken up. It is a realm beyond duality, beyond the opposites, beyond even the concept of beyond. In the unus mundus, opposites like matter and psyche form the outer and inner aspects of the same transcendental reality. Revealing its designs through events in the outer world as well as the psychic landscape within, the unus mundus is actualizing itself in time as we divine our wholeness through the synchronistic clues encoded within the fabric of experience itself.

Paradoxically, synchronicities are a living, unmediated materialization of our unconscious, while simultaneously being a nonlocalized manifestation of the part of us that’s waking up into a more expanded consciousness. Like a genuine symbol, synchronicities are utterances of the soul, as they contain, are an expression of and unite the opposites. Synchronicities are soul-making in action…

Read more: Awake In The Dream

Via Phoenix Is Risen


Graham Hancock on Good and Evil
Category: Esoterica
Tags: Alternative Knowledge Consciousness Esoterica


In this extract from the longer interview Graham talks about the treatment of violence in his novels and about the struggle of good against evil. Are these real, primal forces or projections of our own minds and cultures? What do they have to teach us? Why dwell on them in works of fiction?

Background info and a free-to-read extracts from War God:

War God is available for international pre-order on Amazon: http://amzn.to/Tnfc4q

Background info and free-to-read extracts from Entangled:


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